Rossellini et la télévision

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The Taking of Power By Louis XIV
La Prise de pouvoir par Louis XIV - Roberto Rossellini
- Fiction

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France - 1966 - 1 h 30 mn - Réalisation : Roberto Rossellini - Scénario : Philippe Erlanger, Jean Gruault - Image : Georges Leclerc, Jean-Louis Picavet - Décor : Maurice Valay - Montage : Armand Ridel - Son : Jacques Gayet - Interprétation : Jean-Marie Patte, Raymond Jourdan, Giulio Cesare Silvagni, Katharina Renn, Dominique Vincent, Pierre Barrat -



Musée Fabre (auditorium) Dimanche 28 octobre 2012, 16 h 00
Corum - Salle Einstein Mercredi 31 octobre 2012, 10 h 00




1661: Cardinal Mazarin dies. In the power vacuum, the young Louis asserts his intention to govern as well as rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Surintendant who's been systematically looting the treasury and wants to be prime minister. Fouquet believes Louis will soon tire of exercizing power; he overplays his hand, offering a bribe to Louis's mistress to be his ally. She reports this to the king who arrests Fouquet. Louis and Colbert design a brilliant strategy to keep merchants making money, nobles in debt, the urban poor working and fed, and peasants untaxed…


 
 
Roberto Rossellini

Roberto Rossellini was born into the world of film in 1906 in Rome as his father had opened Italy's first cinema. Fascinated by the mechanics of cinema, he began making films as a teenager, completing an apprenticeship as an assistant to Italian filmmakers. In 1938, Vittorio Mussolini, movie-executive and son of the Italian dictator, invited Roberto to direct a documentary about an Italian hospital ship. Rossellini expanded it, and 'La Nava Bianca' was released in 1941. Using a hand-held camera, he began work in 1943 on a film 'Desiderio'. Unfortunately, he was unable to complete it, and it was not until 1945 that he was to begin work on his first classic, 'Rome Open City'. Ignoring invitations from Hollywood, he remained in Italy to film further influential works, such as 'Paisa' and 'Germania Anno Zero'. In 1949 he met, and became lovers with, the actress Ingrid Bergman, whose scandalous elopement led to their collaboration throughout 1949-1953 on, amongst other films, 'Stromboli' in 1949. They worked together on 'Europa 51' in 1951 and 'Voyage to Italy' in 1953, which became their most successful joint venture. After conducting an affair with an Indian scriptwriter in 1957, Rossellini and Bergman parted. In 1959, 'General Della Rovere' restored his reputation, after which he devoted himself to TV movies, specialising in irreverent biographies of great figures from history such as Louis XIV and Socrates, starting with 'The Flowers of St Francis' (1950) and 'Joan of Arc At The Stake' (1954). His last, controversial film was 'Il Messia', released in 1978. He died on 4 June 1977.

 
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